{"title":"Wakizashi","description":"","products":[{"product_id":"kaneyoshi-seki-nbthk-hozon-papered-blade-gakumei","title":"Wakizashi : Kaneyoshi (Seki) – NBTHK Hozon Papered Blade (Gakumei)","description":"\u003ch2\u003eKaneyoshi (Seki) – NBTHK Hozon Papered Blade (Gakumei)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLate Muromachi Period (Tenshō Era, 1573–1592)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMino Tradition \/ Zendō School, \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSword\u003c\/h3\u003e\n\u003cp\u003eThis wakizashi is attributed to Kaneyoshi of the Zendō School within the Mino tradition and is accompanied by authentication papers from both the NBTHK and NTHK, two of Japan's most respected sword appraisal organizations.\u003c\/p\u003e\n\u003cp\u003eAlthough now preserved as a wakizashi, the blade was originally forged as a longer sword and was shortened at some point during its history. Even today, its wide proportions and powerful shape clearly suggest its original form.\u003c\/p\u003e\n\u003cp\u003eThe blade retains a remarkable presence characteristic of practical fighting swords from the late Sengoku period.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHistorical Background\u003c\/h3\u003e\n\u003cp\u003eThe Tenshō era was one of the most turbulent periods in Japanese history.\u003c\/p\u003e\n\u003cp\u003eIt was the age of Oda Nobunaga and Toyotomi Hideyoshi, when the great wars of the Sengoku period approached their final stages and Japan moved toward political unification.\u003c\/p\u003e\n\u003cp\u003eArmies marched across the country, castles rose and fell, and swords were expected to function as genuine battlefield weapons rather than symbols of status.\u003c\/p\u003e\n\u003cp\u003eThe Mino tradition flourished during this period and became one of the most influential sword-making traditions in Japan.\u003c\/p\u003e\n\u003cp\u003eMino smiths supplied large numbers of blades to warriors throughout the country, earning a reputation for durability, cutting performance, and practical design.\u003c\/p\u003e\n\u003cp\u003eThis blade belongs to that world.\u003c\/p\u003e\n\u003cp\u003eIt was forged during the height of the Sengoku period, when swords remained essential weapons carried into battle.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eGaku-Mei\u003c\/h3\u003e\n\u003cp\u003eOne of the most fascinating features of this sword is its surviving gaku-mei.\u003c\/p\u003e\n\u003cp\u003eWhen a sword was shortened, the signature was often lost along with the removed portion of the tang. In this case, however, the section bearing the original signature was carefully cut out and inlaid into the newly formed tang.\u003c\/p\u003e\n\u003cp\u003eThis process required considerable effort and was undertaken only when preserving the signature was considered worthwhile.\u003c\/p\u003e\n\u003cp\u003eThe gaku-mei therefore represents far more than a technical detail. It is evidence that previous generations valued this blade enough to preserve its identity despite major alteration.\u003c\/p\u003e\n\u003cp\u003eThrough this unusual feature, the sword preserves not only the name of its maker but also part of its own history.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSchool and Attribution\u003c\/h3\u003e\n\u003cp\u003eKaneyoshi belongs to the Zendō School, one of the traditional Seven Seki Schools of Mino Province.\u003c\/p\u003e\n\u003cp\u003eThe founder of the school was the first-generation Kaneyoshi, one of the important figures in the formation of the Mino tradition and a smith whose influence would continue for generations.\u003c\/p\u003e\n\u003cp\u003eThe present blade is not attributed to that founding master himself, but to a later Kaneyoshi working within the same tradition.\u003c\/p\u003e\n\u003cp\u003eThe continued use of the Kaneyoshi name suggests a connection to the founder's lineage or circle and reflects the long-standing practice of preserving important names within a swordsmith family or school.\u003c\/p\u003e\n\u003cp\u003eAlthough the precise relationship can no longer be established with certainty, the blade clearly belongs to the tradition established by the original Kaneyoshi and preserves the characteristics that made Mino swords highly respected during the Muromachi and Sengoku periods.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eWorkmanship\u003c\/h3\u003e\n\u003cp\u003eThe hamon is an energetic gunome-chōji pattern enriched with abundant nie activity.\u003c\/p\u003e\n\u003cp\u003eThe yakiba is notably high and vigorous, creating a powerful visual impression while remaining well controlled from the base of the blade to the tip.\u003c\/p\u003e\n\u003cp\u003eThe kissaki is large and impressive, with a deeply tempered boshi that contributes significantly to the blade's martial appearance.\u003c\/p\u003e\n\u003cp\u003eThe jihada is tightly forged and exceptionally healthy.\u003c\/p\u003e\n\u003cp\u003eWhile displaying the characteristic texture associated with Mino workmanship, it is remarkably well refined, with no significant forging flaws observed.\u003c\/p\u003e\n\u003cp\u003eThe blade presents a strong balance between beauty and functionality, reflecting the practical requirements of the age in which it was made.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe sword is accompanied by authentication papers from both the NBTHK and NTHK.\u003c\/p\u003e\n\u003cp\u003eIts preservation state is excellent, allowing the workmanship and activities within the steel to be appreciated clearly.\u003c\/p\u003e\n\u003cp\u003eThe blade remains healthy throughout, with no major flaws that detract from its appreciation.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eImpression\u003c\/h3\u003e\n\u003cp\u003eThis is a sword that still carries the atmosphere of the Sengoku period.\u003c\/p\u003e\n\u003cp\u003eIts broad shape, powerful construction, large kissaki, and vigorous gunome-chōji hamon all reflect the practical demands placed upon weapons during an age of constant warfare.\u003c\/p\u003e\n\u003cp\u003eAt the same time, the preserved gaku-mei tells a more personal story — one of generations of owners who considered the blade important enough to preserve, even after it was altered.\u003c\/p\u003e\n\u003cp\u003eForged during the age of Oda Nobunaga and Toyotomi Hideyoshi, this blade has survived more than four centuries of Japanese history.\u003c\/p\u003e","brand":"Provenance Selection","offers":[{"title":"Default Title","offer_id":46596666130588,"sku":null,"price":800000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/7979\/1516\/files\/IMG_5765_63f6cb68-ab91-4ff3-b942-fd8b35df02da.jpg?v=1774711696"},{"product_id":"mumei-kinpun-mei-ten-hi-kanenaga-kinpun-mei-hon-a-with-kao","title":"Wakizashi : Mumei Kinpun-Mei ：Ten□hi Kanenaga \/ Kinpun-Mei：Hon-A with Kao","description":"\u003ch1 data-section-id=\"1xx38kt\" data-start=\"0\" data-end=\"28\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/52DgpsBGG1c?si=hDQsEqSrKp9jTv1f\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eTegai Kanenaga Wakizashi\u003c\/h1\u003e\n\u003ch3 data-section-id=\"x46zy1\" data-start=\"29\" data-end=\"82\"\u003eMid-Muromachi Period (Kanshō Era, 1460–1466)\u003c\/h3\u003e\n\u003cp data-start=\"84\" data-end=\"189\"\u003eThis wakizashi is attributed to Tegai Kanenaga, a swordsmith of the Tegai school of the Yamato tradition.\u003c\/p\u003e\n\u003cp data-start=\"191\" data-end=\"513\"\u003eThe Tegai school was one of the principal traditions of Yamato Province, centered around the great Buddhist temples of Nara.\u003cbr data-start=\"315\" data-end=\"318\"\u003eYamato swords are especially respected for their disciplined workmanship, refined steel, and practical elegance developed in close association with warrior-monk culture and early battlefield use.\u003c\/p\u003e\n\u003cp data-start=\"515\" data-end=\"729\"\u003eWorks of the Tegai school are known for their clear masame-hada, restrained suguha hamon, and dignified overall appearance rather than flamboyant activity.\u003cbr data-start=\"670\" data-end=\"673\"\u003eThese qualities are expressed beautifully in this blade.\u003c\/p\u003e\n\u003cp data-start=\"731\" data-end=\"1005\"\u003eThis piece was likely made during the Kanshō era of the mid-Muromachi period, around 1460 CE.\u003cbr data-start=\"824\" data-end=\"827\"\u003eThe Kanshō era falls immediately before the Ōnin War (1467–1477), the great conflict that would lead Japan into the age of widespread civil war later known as the Sengoku period.\u003c\/p\u003e\n\u003cp data-start=\"1007\" data-end=\"1167\"\u003eAs such, this blade belongs to the final years before that upheaval — a time when the classical traditions of the old schools still remained strongly preserved.\u003c\/p\u003e\n\u003cp data-start=\"1169\" data-end=\"1326\"\u003eAlthough the blade has been suriage (shortened), it retains an elegant curvature and a remarkably balanced feeling in the hand characteristic of this period.\u003c\/p\u003e\n\u003cp data-start=\"1328\" data-end=\"1666\"\u003eThe tang bears a kinpun-mei attribution together with the kaō of the Hon’ami family.\u003cbr data-start=\"1412\" data-end=\"1415\"\u003eUnlike kinzōgan-mei, which is inlaid directly into the tang, kinpun-mei is created by writing characters in gold powder over lacquer. Historically, this was one of the methods used by the Hon’ami family to record important attributions and appraisals.\u003c\/p\u003e\n\u003cp data-start=\"1668\" data-end=\"1918\"\u003eBecause many Yamato blades were heavily used and repeatedly adjusted over centuries, examples surviving with original signatures are comparatively rare.\u003cbr data-start=\"1820\" data-end=\"1823\"\u003eFor this reason, historical attributions such as this carry important documentary significance.\u003c\/p\u003e\n\u003cp data-start=\"1920\" data-end=\"2157\"\u003eThe blade itself displays very fine masame-hada, one of the defining characteristics of Yamato workmanship.\u003cbr data-start=\"2027\" data-end=\"2030\"\u003eThe suguha hamon is quiet and refined, creating an impression of restraint and sophistication rather than excessive decoration.\u003c\/p\u003e\n\u003cp data-start=\"2159\" data-end=\"2299\"\u003eThe boshi enters straight and returns in a compact komaru form.\u003cbr data-start=\"2222\" data-end=\"2225\"\u003eThe jigane is healthy and well preserved, and no major flaws are observed.\u003c\/p\u003e\n\u003cp data-start=\"2301\" data-end=\"2444\"\u003eIts current polish is also in very good condition, allowing the sword to be appreciated immediately without requiring further restoration work.\u003c\/p\u003e\n\u003chr data-start=\"2446\" data-end=\"2449\"\u003e\n\u003ch2 data-section-id=\"14g7s6l\" data-start=\"2451\" data-end=\"2460\"\u003eHabaki\u003c\/h2\u003e\n\u003cp data-start=\"2462\" data-end=\"2509\"\u003eThe blade is fitted with a suaka copper habaki.\u003c\/p\u003e\n\u003cp data-start=\"2511\" data-end=\"2838\"\u003eRather than being covered with gold or silver foil, it remains plain copper, allowing the natural color and patina of the metal to harmonize quietly with the blade itself.\u003cbr data-start=\"2682\" data-end=\"2685\"\u003eOlder Japanese swords were often mounted in this understated manner, and the simple character of this habaki suits the atmosphere of the sword very well.\u003c\/p\u003e\n\u003cp data-start=\"2840\" data-end=\"2912\"\u003eThe fit to the blade is precise and secure, showing careful workmanship.\u003c\/p\u003e\n\u003chr data-start=\"2914\" data-end=\"2917\"\u003e\n\u003ch2 data-section-id=\"12324b2\" data-start=\"2919\" data-end=\"2931\"\u003eShirasaya\u003c\/h2\u003e\n\u003cp data-start=\"2933\" data-end=\"3042\"\u003eThis wakizashi is housed in a finely made shirasaya crafted from high-quality wood with tight straight grain.\u003c\/p\u003e\n\u003cp data-start=\"3044\" data-end=\"3320\"\u003eThe fit is stable and properly made, with no looseness.\u003cbr data-start=\"3099\" data-end=\"3102\"\u003eAs with traditionally made shirasaya, slight seasonal openings may occur due to the natural expansion and contraction of the wood. This is considered normal and correct, and the shirasaya should never be forced closed.\u003c\/p\u003e\n\u003cp data-start=\"3322\" data-end=\"3412\"\u003eThe overall quality of the shirasaya is excellent and suitable for long-term preservation.\u003c\/p\u003e\n\u003chr data-start=\"3414\" data-end=\"3417\"\u003e\n\u003ch2 data-section-id=\"1tikm32\" data-start=\"3419\" data-end=\"3432\"\u003eImpression\u003c\/h2\u003e\n\u003cp data-start=\"3434\" data-end=\"3692\"\u003eThis is not a flamboyant sword.\u003cbr data-start=\"3465\" data-end=\"3468\"\u003eIts appeal lies instead in the quiet sophistication associated with the Yamato tradition — refined masame-hada, controlled suguha, balanced curvature, and the dignified atmosphere developed through centuries of preservation.\u003c\/p\u003e\n\u003cp data-start=\"3694\" data-end=\"3850\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA highly respectable Muromachi-period wakizashi with historical attribution, healthy condition, and strong appreciation value for collectors of Yamato work.\u003c\/p\u003e","brand":"Provenance Selection","offers":[{"title":"Default Title","offer_id":46794536976540,"sku":null,"price":1000000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0731\/7979\/1516\/files\/IMG_5879.jpg?v=1777690930"}],"url":"https:\/\/provenanceselection.com\/collections\/wakizashi.oembed","provider":"Provenance Selection","version":"1.0","type":"link"}