Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke
Katana : Shimada-jū Minamoto Gisuke

Katana : Shimada-jū Minamoto Gisuke

Regular price¥700,000
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[Identity]
  • Signature : 嶋田住源義助 - ShimadaJyu MinamotonoGisuke
  • Province / School : Sosyu Traditional / Shimada school
  • Period : Early Edo Period (Kanbun Era, 1661–1673)
  • Sword Type : Katana
[Work]
  • Jigane : KoItame
  • Hamon : Suguha
  • Utsuri : None
[Dimensions]
  • Brade Length : 664.0cm
  • Curvature (Sori) : 0.9cm
  • Weight : 678g
  • Width at Base (Motohaba) : 30.5mm
  • Thickness at Base (Motokasane) : 7.0mm
  • Width at Tip (Sakihaba) : 20.0mm
  • Thickness at Tip (Sakikasane) : 5.0mm

[Condition]
  • Polish Condition : Excellent — Free from noticeable scratches or rust, fully expressing the blade’s character.
  • Condition : Excellent — No structural issues and minimal signs of wear.
  • Purpose : Art
[Koshirae & Documentation]
  • Mountings : Shirasaya
  • Papers : NBTHK certificate (old-style)

Polisher’s Perspectiv

Shimada-jū Minamoto Gisuke

Sosyu Traditional / Shimada school

Early Edo Period (Kanbun Era, 1661–1673) (Shintō)


Historical Context

The seventeenth century was a period of transformation in the history of the Japanese sword. By the time of the Kanbun era (1661–1673), the prolonged warfare of the Sengoku period had given way to the stability of the Tokugawa shogunate. Although swords remained an essential part of samurai identity, their role increasingly extended beyond the battlefield.

This changing environment produced a distinct style of sword known today as Kanbun-shintō. Compared to many earlier blades, these swords often display restrained curvature, balanced proportions, and a practical elegance suited to the tastes of the early Edo period. Rather than reflecting the demands of constant warfare, they embody a society that valued both martial tradition and refined craftsmanship.

The present blade stands firmly within this historical context, preserving the characteristics that made Kanbun-period swords distinctive.


The Smith and School

The Shimada School emerged during the late Muromachi period and remained active through the transition into the Edo era. The tradition is associated with the town of Shimada and continued to develop through multiple generations of swordsmiths.

This blade bears the signature "Shimada-jū Minamoto Gisuke." The name Gisuke appears across several generations within the Shimada tradition, reflecting the continuity of the school over an extended period. While precise generational attribution remains a subject of study, the blade's workmanship and overall form are consistent with the early Edo-period environment in which later members of the lineage worked.

The Shimada tradition is often appreciated for workmanship that reveals itself gradually. Rather than relying on bold visual effects, many examples reward close examination of the steel surface, forging structure, and the subtle qualities of the hardened edge.


Features of This Blade

With a cutting length of 66.4 cm and a curvature of 0.9 cm, this blade presents a classic Kanbun-shintō silhouette. The shallow sori, moderate chū-kissaki, and well-balanced proportions create an appearance that is both disciplined and refined.

Particularly noteworthy is the jihada. Flowing itame is clearly visible across the surface, allowing the forging structure to be appreciated in detail. Activity within the steel emerges under changing light, giving the blade a depth that encourages extended study.

The hamon is accompanied by a deep and gentle nioiguchi. Rather than seeking attention through dramatic shapes, the hardened edge displays a quiet richness that becomes increasingly apparent during careful examination. This restrained quality contributes significantly to the blade's overall character.

The boshi continues naturally into the point and maintains harmony with the rest of the blade.

The tang bears the signature "Shimada-jū Minamoto Gisuke." Although the blade has undergone shortening during its long history, the signature remains intact, preserving a direct connection to the smith recorded on the tang.

The blade is accompanied by an NBTHK Tokubetsu Kichō certificate, issued in 1975, attributing the work to Shimada-jū Minamoto Gisuke and recognizing it as a Shintō blade.


A Blade That Carries History

Like many Japanese swords that survived into the modern era, this blade bears evidence of adaptation across generations.

At some point in its history, the blade was shortened. Such modifications were common and often reflected changing methods of wear, mounting styles, or practical requirements. What is particularly notable here is that the blade continues to preserve its signature despite these alterations.

The surviving tang, together with the two mekugi-ana, records part of the sword's long journey through time. The present form is therefore not simply the result of its original manufacture, but also of the decisions made by successive owners who chose to preserve and maintain it.

The accompanying NBTHK Tokubetsu Kichō certificate further contributes to this documentary history, linking the blade's modern preservation to the broader effort to study and protect Japanese swords during the twentieth century.


Appreciation

This blade offers a compelling example of the aesthetic character associated with Kanbun-period Shintō workmanship.

Its appeal begins with its well-balanced sugata, a form that reflects the changing preferences of the early Edo period. Closer examination reveals further rewards in the visible itame jihada, the activity within the steel, and the deep, gentle nioiguchi that gives the blade its quiet presence.

Supported by an NBTHK Tokubetsu Kichō certificate and retaining its signature despite later shortening, the blade provides both historical interest and opportunities for continued study. It is a work that invites appreciation not through extravagance, but through refinement and subtle craftsmanship.




Acquire the Blade
This sword may be acquired as presented. The blade will be carefully prepared and shipped in its current condition.

Acquisition Options

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Provenance Selection offers several acquisition options for collectors interested in traditionally made Japanese swords.Each option is designed to provide flexibility while respecting the legal, historical, and conservation aspects of Japanese swords.
All services are considered individually, with decisions made in accordance with the condition and character of each blade.

Where appropriate, professional polishing may be arranged.

Polishing is a traditional conservation process intended to preserve the blade and reveal its inherent characteristics.

As the process involves the removal of a small amount of steel, it is permanent and irreversible.

For this reason, polishing is never undertaken routinely.

Each blade is carefully evaluated to determine whether such work is appropriate.

In some cases, polishing may stabilize the blade or clarify its structure.

In others, preservation in its current state may be the more appropriate choice.

When properly executed and maintained, a blade typically does not require repolishing for many decades.

Typical costs: ¥150,000 – ¥400,000 depending on the blade and scope of work

Timeframe: several months to approximately one year depending on condition and availability

Custom sword bags may be commissioned to accompany the blade.

Each bag is made to fit the exact dimensions of the sword and may be prepared for both shirasaya and koshirae.

In Japanese sword culture, a blade is not left exposed.

Even in storage, it is kept within a dedicated cloth bag.

This practice serves not only to protect the surface and mounting, but also reflects a traditional attitude toward the care and presence of the sword.

Available materials may include silk chirimen, tsumugi, or repurposed traditional textiles, depending on availability.

Typical cost: approximately ¥15,000 – ¥30,000 depending on material

Submission for third-party authentication can be arranged for blades offered through this shop.

Authentication represents one perspective within the study of Japanese swords.

Evaluations issued by independent organizations reflect informed judgment, but do not constitute absolute determination.

A 20% deposit is required to reserve the blade during the authentication process.

This deposit is non-refundable.

Submission and handling fees are required to initiate the process and are also non-refundable.

If the blade is acquired following authentication, the deposit will be applied toward the purchase price.

Typical costs: ¥20,000 – ¥30,000 (submission) + ¥30,000 (handling)

Timeframe: typically several months.

A new shirasaya may be commissioned for the proper preservation of the blade.

Shirasaya are plain wooden mountings made specifically for storage, designed to protect the sword from environmental changes over time.

They are not decorative, but functional—serving as a stable and appropriate resting state for the blade when not in use.

Each shirasaya is crafted individually to fit the exact dimensions of the sword.

Typical cost: approximately ¥50,000 – ¥150,000

Custom koshirae may be commissioned upon request.

Each mounting is developed individually, considering the blade’s form, period, and inherent character.
Rather than strict reproduction, the process allows for a range of possible directions, balancing historical context and aesthetic intention.

Fittings, lacquer, and overall composition are determined through consultation, and the work is entrusted to specialized craftsmen.

For commissioned work, the blade is required for measurement and fitting.

Typical cost: from approximately ¥300,000 depending on materials and scope